Thirty four novels scored on ten axes that genuinely differ between them, so a comparison becomes an argument about a variable rather than a list of similarities. Tap a novel to open its full profile.
Each axis is a real variable across the period, with its possible values, what a difference along it lets you argue, and the mistake it invites. Choose the axis before choosing the novels and the comparison writes itself.
Any two novels, side by side on all ten axes, with the axes on which they agree and disagree separated automatically. The disagreements are where an essay lives.
Sixteen comparisons that produce a genuine argument, each naming the single variable it isolates and the question it opens. Not every pair of Victorian novels is worth setting side by side, and these are the ones that are.
Ten material facts about how these books were written, sold and read. Each one shaped the novels in ways visible on the page, and knowing them turns context from decoration into evidence.
Everything renders from five arrays. Adding a novel, an axis, a pairing or a condition is appending one object.